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Toomer's Karintha

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... of linguistic purity and good art. Like the Toomer or Hurston she admires, she insists on recapturing the authentic Walker are linked. In this story, unlike in Toomer's fiction, it is not the women who run to the artist, offering to the artist their Bessie Head, Jean Toomer, and especially Zora Neale Hurston (In Search 257-60). Like any other writer, any other user of section of the essay, Mama is not moving toward someone like Toomer: Only in her dream does she move out of her place; "Toomer's women are silent, their sense of themselves and their condition interpreted by a male narrator" (9). But does ...



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Sources list for TOOMER'S KARINTHA:

James Kraft "Jean Toomer's Cane"; Therman B. O'Daniel: Jean Toomer: A Critical Evaluation. College Language Association (U.S.) Howard University: Washington, DC. 1988
Jean Toomer’s "Cane"

Jean Toomer to James Weldon Johnson, 11 July 1930, reprinted in A Jean Toomer Reader: Selected Unpublished Writings, ed. Frederik L. Rusch ( New York: Oxford University Press, 1993), 106.
Jean Toomer’s "Cane"

Sherwood Anderson to Jean Toomer, 22. December 1922, reprinted in Jean Toomer, Cane, ed. Darwin Turner (New York: W.W. Norton, 1988), 160.
Jean Toomer’s "Cane"

Toomer, Jean. Cane. New York: Boni & Liveright, 1923.
Character Analysis

Excerpt from "Jean Toomer as Poet: A Phenomenology of the Spirit." Black American Literature Forum 21 (Fall 1987), 253-273.
Washington and Du Bois

 

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